Karim El Hamdaoui

AI Commercials &
Creative Direction

Cinematic brand films built with structured AI production.

How a Film Gets Made

From brief to finished film —
the same process every time.

A film is not a stack of AI assets. Every project runs through the same eight stations, so the result can be directed, reviewed and repeated — and so a client always knows where a production stands.

  1. 01

    Brief

    Objectives, scope and constraints

  2. 02

    Concept

    Positioning and creative direction

  3. 03

    Story & Direction

    Idea, dramaturgy and structure

  4. 04

    Production Design

    Look, assets and sequence

  5. 05

    Visual Production

    Imagery and visual assets

  6. 06

    Motion & Editing

    Animation, cut and timing

  7. 07

    Quality Control

    Consistency, impact and polish

  8. 08

    Delivery

    Checked, ready-to-run masters

Every stage is documented and reviewable — so a client, an agency or a partner can join at any station and know exactly what has been decided.

Behind the Work

Work in progress · in active development

Proof of work · not a product

Creative Engine 1.0

A production system — from
first idea to finished film.

The Creative Engine is the system behind the films on this page. It exists so that a production is directed rather than improvised: the same rules, the same checkpoints and the same handovers on every project.

For a client that means one thing — consistency. The look, the pace and the quality of a film can be held across a campaign instead of being rebuilt from scratch each time.

The Creative Engine workspace: a production flow from idea and brief through script, visuals, voiceover and edit to export

What the system delivers

Workflow Design

A defined order of production steps instead of an improvised sequence.

Creative Automation

Recurring creative steps prepared once and reused across projects.

Production Chain

Several production tools connected into one chain instead of isolated steps.

Quality Control

Checkpoints a work-in-progress has to pass before it moves on.

Documentation & Handovers

Decisions and intermediate states recorded so anyone can pick the work up.

Systems Thinking

A complex production broken into parts and held consistent over time.

Where this matters most

Film Production

Where many crafts meet between idea and export, and handovers have to hold.

Agencies

Where a motif runs in many versions and has to stay consistent across a campaign.

Creative Studios

Where creative quality and a repeatable process are demanded at the same time.

Brand Teams

Where content is produced continuously and the process behind it has to scale.

From idea to export

  1. Idea
  2. Brief
  3. Concept
  4. Story
  5. Visuals
  6. Voiceover
  7. Motion & Edit
  8. Sound Design
  9. Export

Capabilities

What I do

Three disciplines that meet on every project — the creative direction, the production itself, and the system that keeps both consistent.

Creative
Direction

Idea, story and look — the decisions that make a film feel authored rather than generated.

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Isometric illustration of an automated creative workspace

AI Commercial
Production

Visuals, motion and post — AI-assisted production carried through to a finished, ready-to-run film.

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Isometric illustration of a cinema camera with content modules

Creative Automation
& AI Workflows

The production system behind the work — so a look and a standard hold across a campaign.

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Isometric illustration of chained AI workflow modules

About

Director. Creator.
Storyteller.

I craft cinematic stories that connect brands, people and culture. Every project is approached with a director’s eye and a creator’s curiosity — and with the production discipline to hold that standard from the first frame to the last.

The films on this page are self-initiated productions, made to set that standard rather than to fill a reel.

Portrait of Karim El Hamdaoui

Let’s create something worth watching.

Available for commercial and brand film projects — with agencies, production companies, creative studios and brands. Tell me what the film has to do, and I’ll tell you how I’d direct it.